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On one side, it features emotionally gripping riffs and beautiful guitar solos, but on the other it also includes bombastic symphonic arrangements that develop an almost apocalyptic atmosphere. Another aspect of the album that hasn’t really been touched on is the folk aspect in songs such as Little Red Relish. The jury is still out on what kind of sound Nightwish will come up with having Floor Jansen at the helm, but if they want to get some good ideas about where to aim, they would be advised to look where Xandria has been for the past 2 years. It even has my favorite guitar leads and solos on the entire album. Honestly I didn’t know what to expect out of this album since Xandria are working with their third singer in three albums.

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Any questions about Dianne’s vocal ability are completely thrown out the window immediately. The distorted guitars come back pretty quickly and chorus is probably one of the most memorable on the album. Gone are the childish melodies with simplistic lyrics, the aime and catchy potential hit singles and the gothic pop ballads for anime nerds or emo teenies.

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He even has producer credits on their two newest albums. Some of this tinkering presents itself in a slightly greater concentration of guitar elements that point towards more of an Epica influence, though Marco’s riff approach still remains closer to the support-role character of Emppu’s work with Nightwish rather than morphing into a galloping semi-thrashing character befitting of Mark Jansen. If the band reads these lines, they xanndria which songs to pick if they want to release a new single or EP anytime soon.

It completely embodies what Xandria and Sacrificium are all about to me. For fans of the band’s past albums, Dreamkeeper is probably the best representation of what they are known for.

What could a band put up next after such a animf mid-tempo soundtrack? Every section sounds beyond epic, and it all combines into a sweeping dramatic piece, a lesson to everyone out there on how to write a symphonic metal song.

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Extremely memorable vocals, palm muted guitar riffs, and epic keyboard arrangements make this an incredible track that many bands seem to have forgot how to achieve. All of the elements that made everyone fall in love with the band to begin with are still there, the songwriting is still superb, the vocals are still beautiful, there is a plethora of keyboards, and the guitar riffs are very tasteful.

There is definitely quite xanrdia bit of aggressiveness and distortion to the guitar riffs and the drums have that quick yet catchy pop to them that a lot more mainstream bands are known for doing. From the first time I heard the Kill the Sun demo I anme fell in love with this band’s songwriting.

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While some bands in the style sound like metal with orchestral parts tacked on, this is a perfect mixture of the two and it flows so well. Bands alphabetical country genre Labels alphabetical country Reviews R.

Throughout their career they managed to write album after album full of enjoyable songs with extremely crisp production value, bombastic elements of symphonic power metal and many aspects of gothic metal. Say hello to ambitious and versatile song writing in the key of Nightwish, complex symphonic arrangements on one level with the brilliant Edenbridge and an overall heavier sound than ever that could be compared to the latest Epica.

Anybody who cares the slightest for the symphonic metal genre should purchase this album. I have similar feelings about the track Temple of Hate.

He has also taken a role in the album’s production just has he has done with their previous one, which could explain why they have been coming out sounding even more crisp and clean than usual. It’s all a matter of degrees and this still sticks pretty close to home. The overused image of a phoenix rising from its ashes on the album cover never fit better than here.

The sound is also a lot fresher and heavier than expected. Symphonic music can have an emphasis on the powerful, and when intertwined so well with another powerful style in heavy metal it just becomes this epic, exciting sound that gives the listener a real rush.

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Stylistically there really isn’t much like this on this album, but it could easily trap someone into enjoying the entire body of work and enjoying several other bands of xandtia genre as well. The vocals in this song are even greater than usual as they reach out for nearly angelic heights without losing their grounding power.

Another aspect of the album that hasn’t really been touched on is the folk aspect in songs such as Little Red Relish. Just like several songs on the album there are quite a bit of annime background xandfia that only adds a lot of layers and depth to the compositions. Naturally there has been some tinkering around the edges in terms of the album’s flow and pacing, but the same stylistic devices of simple driving guitar riffs, massive orchestral sounds, and a well-balanced mixture annime haunting dissonance and somber beauty has remained constant almost to a fault.

This is not an easy task because there is no bad track on this album as they all vary between very good and excellent. In spite of losing a very charismatic and competent lead vocalist, Xandria have actually managed to maintain xandra hold on musical greatness here and also proved that provided a similar sound is maintained, that it’s the compositional element that truly makes or breaks a band.

It could very well be my favorite female fronted album ofbut only time will tell. The band has managed to survive and stand out among so many similar genre bands that have popped up at the end of the nineties when genre leaders as Nightwish had their breakthrough.

I usually struggle to sit through a lot of ten minute songs, but there is plenty of variety here, not much repetition, and before I knew it the track was already over and I almost wanted to go back and xanvria it again.